Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Saturday, August 16, 2014

John Porcellino Documentary

ROOT HOG OR DIE : A JOHN PORCELLINO & KING-CAT COMICS DOCUMENTARY 

Billy Ireland Cartoon Library & Museum Jean and Charles Schulz Lecture Hall (room 220)Friday, September 26 at 7pm


The "king" of small press comics, (and frequent S.P.A.C.E. exhibitor), John Porcellino will be coming to Columbus in support of the new documentary about his life and work in comics, Root Hog Or Die. The film, directed by Dan Stafford, features intimate and candid conversations with John as well as over twenty interviews with his friends, fellow cartoonists, bandmates, admirers, and confidantes.

Root Hog Or Die will be showing in the Jean and Charles Schulz Lecture Hall (room 220) on Friday, September 26, 2014 at 7:00 PM. Don't miss out on experiencing this rare and wonderful opportunity!




For twenty-five years, John Porcellino has been self publishing King-Cat Comics & Stories, a black & white (generally) 32 page comic/zine. His collected stories have been published by Drawn and Quarterly, and his work has appeared in McSweeney's, The Best American Comics, Kramer's Ergot, the Anthologies of Graphic Fiction, and in countless other anthologies and collections.

Friday, June 5, 2009

More Upcoming OSU Library and Museum Events


Tuesday, July 14, 2009, 7:00-9:00 pm, 162 Hopkins Hall, 128 North Oval Mall

"A Whirlwind History of American Comics" by Dr. Jared Gardner, Dept. of English, followed by a gallery talk by Lucy Shelton Caswell, curator of From the Yellow Kid to Conan: American Cartoons from the International Museum of Cartoon Art. Free and open to the public.

Sunday, July 19, 2009, Free Family Programs

12:30-4:30 pm From the Yellow Kid to Conan: American Cartoons from the International Museum of Cartoon Art at the Hopkins Hall Gallery + Corridor,

1:00 pm The Secret of N.I.M.H. (1982), Wexner Center for the Arts Film/Video Theater

2:30-4:30 pm Special events at the Hopkins Hall Gallery + Corridor: enjoy lemonade and cookies, print a comic strip with Bob Tauber, Logan Elm Press and Book Arts Program, and make an authentic newspaper printer's hat

Co-Sponsors: The Ohio State University Cartoon Library & Museum, Wexner Center for the Arts, the Department of Art Hopkins Hall Gallery + Corridor, University Libraries, and Logan Elm Press and Book Arts Program

Upcoming OSU Library and Museum Events

Two new exhibitions at The Ohio State University celebrate the International Museum of Cartoon Art Collection, which was recently transferred to OSU’s Cartoon Library and Museum (formerly the Cartoon Research Library). The union of these two institutions created the largest collection of original cartoon art in the world. The exhibitions showcase the treasures of the collection including original art from editorial cartoons, comic strips, animation and comic books. Fan favorites Peanuts, Calvin and Hobbes, Blondie, Dick Tracy, Mickey Mouse, For Better or For Worse, Doonesbury, Spider-Man, Beetle Bailey and Family Circus will all be on display. The characters and images depicted may be familiar, but taken out of their traditional context in print and on screen, cartoons can be examined and appreciated as works of art; triumphs of design and craftsmanship. The originals reveal the method behind the magic, offering visitors an opportunity to look at the popular culture icons and images so prevalent in their everyday lives in new and different ways. These exhibitions will engage and delight audiences of all ages.

Exhibitions:
From Yellow Kid to Conan: American Cartoons from the International Museum of Cartoon Art Collection will be held at the Hopkins Hall Gallery + Corridor from June 28 – August 7, 2009.

Hogarth and Beyond: Global Cartoons from the International Museum of Cartoon Art Collection will be held at the Cartoon Library and Museum’s Reading Room gallery from June 10-August 31, 2009.


Exhibition Opening Reception and Special Events:

Saturday, June 27, 2009, 7:00 pm, Wexner Center for the Arts Film/Video Theater
101 Dalmations(1961) proceeded by animated shorts, the Brave Little Tailor (1938) and Leprechaun's Gold (1949). Introduction by animation historian Jerry Beck. Visit wexarts.org or call 614-292-3535 for tickets. $7 ($5 for members, students, and senior citizens).

Sunday, June 28, 2009, Grand Lounge, The Ohio State University Faculty Club, 181 South Oval Dr.
1:00 pm Milestones of the International Museum of Cartoon Art. Panel discussion with former trustees Brian Walker, Jerry Robinson, and Arnold Roth moderated by Dr. Jared Gardner, Dept. of English.
2:15 pm Keynote Speaker - Jim Borgman, Pulitzer Prize-winning editorial cartoonist and co-creator of the comic strip Zits
3:30-5:00pm Exhibition opening reception at the Hopkins Hall Gallery + Corridor. Refreshments will be served.
All June 28 events are free and open to the public.

For more information:
http://cartoons.osu.edu/?q=events http://www.wexarts.org/fv/index.php?eventid=3887 http://cartoons.osu.edu/?q=press/international-museum-cartoon-art

Wednesday, March 11, 2009

Watchmen As Alternate History

One of the most common comments I've read about the Watchmen movie from people who didn't read the book is “Why is Nixon still president?” and now that I think about it, I'm wondering that myself. To be honest, upon close examination, writer Alan Moore's alternate version of American political history seems poorly thought out and doesn't quite make sense.
In Moore's telling, Nixon sent the super powered Dr. Manhattan in to Southeast Asia and won the Vietnam War, and kept Watergate to coming to light by having Woodward and Bernstein arrested. He then got the Constitution's term limits on the president repealed, allowing him to still be in office as Watchmen's story opens in 1985.
Watchmen is one of two comics published by DC in 1986—the other being The Dark Knight Returns-- that perfectly captured the zeitgeist of the 1980's, and while the name and face of the president of Watchmen's United States are Nixon's, the foreign policy that Moore is reacting to is Ronald Reagan's.
Therein lies my major problem with Moore's alternate history. Quite frankly, I cannot see Richard Nixon, a president who prided himself on his statesmanship and foreign policy expertise, allowing U.S.-Soviet relations to decay to the point, as is the case in Watchmen, where the bombs are just moments from flying, especially with Henry Kissinger at his side as National Security Advisor and Secretary of State. Under Reagan, however, this scenario was frighteningly plausible.
If Nixon is merely a stand in for Reagan, why not use Reagan? In the early stages of Watchmen's development, DC nixed the use of the characters from Charlton Comics defunct “Action Heroes” line of comics, which DC had recently acquired the rights to. Moore was forced to create new characters that roughly parallel the Charlton heroes. Dr. Manhattan stands in for Captain Atom, Nite Owl II is Blue Beetle, Rorschach is the Question and so forth. Did DC also put the kibosh on Reagan as president, perhaps afraid of portraying the sitting chief executive in a negative light? Well, I've never heard or read anyone else even speculating about this possibility, and DC's publication of The Dark Knight Returns that same year, which does depict Reagan and not flatteringly, seems to argue against it.
Having Nixon still in office in 1985 does serve to establish that Watchmen is set in an alternate universe. Of course, the presence of a blue, glowing, naked man who can see into the future is enough to do that.
I'll just say that I honestly have no idea why Nixon is still president, especially as it seems to serve no real purpose storywise.
Another thing that bugs me is the business of Dr. Manhattan winning the Vietnam War. If he could do that, why didn't LBJ send him in years earlier?
So, I've worked out an alternate alternate history for the world of Watchmen that makes a little more sense to me, and still makes the story's events of 1985 possible.
In 1968, after the Tet Offensive, with the war going badly and public opinion turning against him at home, president Lyndon Johnson reluctantly orders Dr. Manhattan to 'Nam to end the war. It is precisely this victory, perceived as a grossly unequal use of force and a display of American arrogance, that inflames the left wing of the Democratic party against him and drives Johnson to withdraw his name from consideration for his party's presidential nomination.
As in real life, Nixon defeats Democrat Hubert Horatio Humphrey and independent candidate George Wallace to become the 37th president of the United States. His dirty tricks never come to light and his opening of diplomatic relations with the People's Republic of China makes him quite a popular president. Despite Nixon's disdain for domestic affairs, Dr. Manhattan has made electric cars possible, so the US is not dependent on Arab oil, and other innovations and new industries made possible by the good doctor help to keep the economy on track. Nixon serves out his Constitutionally allotted two terms and is still quite popular when he leaves office.
With that popularity, you would think that his vice president would be a shoo-in to succeed him. However, while Watergate never blew up in Nixon's face in this reality, apparently the entirely separate scandal that drove Nixon's first veep, Spiro Agnew, from office did, and Jerry Ford replaced Agnew. I only recently learned that Ford made a promise to the Senate during his vice presidential confirmation hearings that he would not be a candidate for president in 1976. Of course, in our world, by the time '76 rolled around, circumstances had changed. Ford was now president, and he reasoned at the start of his truncated presidency that to announce he wasn't going to run in the next election would make him a lame duck from day one and even more politically ineffective than he ultimately proved to be. In my alternate alternate world of Watchmen, however, Ford, being an honorable man, honors his pledge and sits out the campaign. The public is still in the mood to elect a Republican, however, and former California governor Ronald Reagan's political star had been rising throughout the sixties. With no incumbent in the race, he sails to the nomination and easily defeats Jimmy Carter.
Reagan proves to be as popular with the American people as he was in real life, and his handling of the Iran hostage situation by sending in Doc Manhattan, ending the crisis in about six hours and restoring the Shah to power, makes him even more popular. At the beginning of his second term, it is Reagan who uses his immense popularity to ram through the necessary Constitutional changes to keep him in office as long as the American people will have him. Thus, we find him in 1985, as the story of Watchmen commences, at the beginning of his third term and engaged in a deadly game of nuclear brinkmanship with the Soviet Union.
I haven't seen the film yet, but from what I've heard, Moore's alternate history of the American comics industry did not make it into the movie. This aspect of Moore's alternate history seems a little better thought out , which is only natural, since he worked in the industry, but still doesn't quite ring true. In Moore's version of events, the emergence of real live costumed crime fighters nips the nascent superhero genre in the bud, as no one wants to read about fictional super heroes when they can read about real ones in the newspapers. Thus by the 1950's the dominant genre is pirate comics. As it serves the story, this does make sense, as it sets up the parallel story from the “Tales of the Black Freighter” reprint comic, which also was left out of the film. However, logically, it seems backwards. After all, the existence of real life cops and doctors and lawyers has never dulled the public appetite for books, television shows, movies, and even comics about them. Going to the moon didn't kill science fiction. In fact, it seems to me that the emergence of real super heroes would only increase demand for fictional accounts of super heroic adventure.
None of these petty quibbles detract from the brilliance of what Moore accomplished in Watchmen. After all, when people talk about what makes the book great, they speak of its intricate structure, its deconstruction of the super hero genre, and its realistic portrayal of its characters. The alternate history is merely background detail.

Monday, November 10, 2008

It's Time For (more) Cartoons!


Whether you're a wide-eyed kid (or a kid at heart) or a cynical, beaten-down adult, you can always enjoy a good cartoon, right? This Saturday (Nov. 15) at CCAD's Canzani Center, the Columbus International Film & Video Festival is showing a wide array of animated shorts from all around the world. In the morning (10am) is when they'll show "Saturday Morning Cartoons From Around The World" for children of all ages; then, at 7:30pm they'll begin "Animation 4 Adults," featuring the Grand Prix Oberhausen winner "Chainsaw" a stunning story about Frank Sinatra, Ava Gardner, chainsaw safety, and bullfighting (for adults of not-quite-all ages). Admission is $5 (free for students) and parking at CCAD is free. (Fun Fact: The Columbus International Film & Video Festival is the oldest film festival in North America, having existed since 1952!)

Thursday, October 30, 2008

scary art-related events for 10/31-11/1 and news

- Gallery Hop is Saturday night in the Short North.

- Junctionville Studios is hosting Por Vida!, a Day of the Dead celebration, Saturday night at 10PM.

- The OSU Department of Design celebrates its 40th anniversary this Saturday.

Plus:
- The Highball Halloween parade is tomorrow night beginning at 6pm on High St.

- Not an event but it's an interesting story: there are billboards around town featuring the work of a New York photographer that are causing a stir.

- And while it's not exactly on-topic, it is definitely noteworthy: the Grandview movie theater is coming back!

Friday, May 30, 2008

A Looney Tunes Evening with Jeff Smith


Thu, Jun 5, 2008 | 7:00PM
Film/Video Theater

Jeff Smith has described Bone as “a Bugs Bunny cartoon meets Lord of the Rings.” Join him next Thursday, June 5 as he introduces some of his favorite Warner Bros.’ cartoons and discusses the influence their characteristic zaniness had on his own work.

The program features Chuck Jones’s celebrated “hunting trilogy”—Rabbit Fire (1951), Rabbit Seasoning (1952), and Duck! Rabbit, Duck! (1953)—all three starring Bugs Bunny, Elmer Fudd, and Daffy Duck. (app. 90 mins., 35mm).

Bring your family and young friends. This program is designed for all ages.

TICKETS

$5 members
$7 general public
$5 students
$5 senior citizens
$3 children under 12

TO PURCHASE TICKETS CALL (614) 292-3535 or
buy tickets online

Wexner Center for the Arts
The Ohio State University
1871 North High Street
Columbus, Ohio 43210-1393
Entrance Level of the Wexner Center

The exhibition Jeff Smith: Bone and Beyond, on view through August 3, features original comic book drawings by the Columbus-based artist and some of the comics artists who have inspired him. The exhibition and related events are presented in collaboration with Ohio State’s Cartoon Research Library.

Wednesday, April 30, 2008

A Bone To Pick

Jeff Smith: Bone and Beyond
Sat, May 10 - Sun, Aug 3, 2008
Wexner Center Galleries
(Admission is free & open from 11 AM until 8 PM)

Jeff Smith is one of the great success stories of independent comics. In July of 1991, he launched Cartoon Books in Columbus, Ohio, to publish his black-and-white comic strip Bone. A tale of three marshmallowy creatures named Bone, adrift in a world of humans, monsters and fantasy creatures, Bone has since been translated into 15 languages and won Smith countless awards.

In 2005, Time magazine called Bone one of the 10 greatest graphic novels of all-time. This exhibition—a partnership between the Wexner Center and Ohio State University's Cartoon Research Library—encompasses approximately 80 original drawings: primarily original black-and-white pages from Bone, with a smaller selection of full-color Bone covers and post-Bone work, including original drawings from Smith's recent Shazam series for DC Comics and from Rasl, his current project about a time-traveling thief.



The exhibition also includes a selection of original comics whose artists Smith cites as direct influences, among them examples from Walt Kelly's Pogo, Will Eisner's The Spirit, George Herriman's Krazy Kat, Charles Schulz's Peanuts, Carl Barks's Uncle Scrooge, Garry Trudeau's Doonesbury, and E. C. Segar's Thimble Theatre. The exhibition is organized by Lucy Shelton Caswell, professor and curator of Ohio State's Cartoon Research Library, and David Filipi, the Wexner Center's curator of film and video.

Here is the calendar of events being held in conjunction with the gallery show:

Artists Talk: Jeff Smith and Scott McCloud in Conversation

Sat, May 10, 2008 | 2:00PM
Mershon Auditorium

Join Bone-creator Jeff Smith and comic book artist and theorist Scott McCloud for a lively conversation about Smith’s career and each artist’s view of the practice and future of comic book art. McCloud is the author of Understanding Comics, Making Comics, and Reinventing Comics and the creator of the comic Zot!

Gallery Talks: Lucy Shelton Caswell and Dave Filipi on Jeff Smith: Bone and Beyond
Wed, May 14, 2008 | 12:30PM
Wexner Center Galleries

In these hour-long gallery conversations, you'll discuss the current exhibitions with artists, curators, and members of the Ohio State community.

Artist's Talk: Terry Moore

Thu, May 15, 2008 | 7:00PM
Film/Video Theater

Best known for his epic and unpredictable comic Strangers in Paradise and a key figure in the self-publishing of comics, Terry Moore is one of the most influential artist/writers working today.

Artist's Talk: Paul Pope
Tue, May 20, 2008 | 7:00PM
Film/Video Theater

One of the most eclectic talents in comics, Ohio State alumnus Paul Pope works in such diverse genres and styles as superheros, erotica, and manga.

He’ll offer insightful comments about his own practice and an overview of his remarkable career, which includes the sci-fi book THB, Heavy Liquid, and Batman: Year 100. The collection Pulphope: The Art of Paul Pope was published in 2007.

A Looney Tunes Evening with Jeff Smith
Thu, Jun 5, 2008 | 7:00PM
Film/Video Theater

Jeff Smith has described Bone as “a Bugs Bunny cartoon meets Lord of the Rings.” Join him this evening as he introduces some of his favorite Warner Bros.’ cartoons and discusses the influence their characteristic zaniness had on his own work.

The program features Chuck Jones’s celebrated “hunting trilogy”—Rabbit Fire (1951), Rabbit Seasoning (1952), and Duck! Rabbit, Duck! (1953)—all three starring Bugs Bunny, Elmer Fudd, and Daffy Duck. (app. 90 mins., 35mm).

Bring your family and young friends. This program is designed for all ages.


A related show, titled Jeff Smith: Before Bone, is on view nearby in Ohio State's Cartoon Research Library from May 1 until September 5. (The library entrance is just north of the Wexner Center's main entrance, along the sidewalk under the "grid.") That exhibition is open 9 AM to 5 PM Monday through Friday, and on Saturday, May 10, from 1 to 5 PM. Admission is free.

Monday, April 21, 2008

Animation Festival at Studio 35

On April 25th, Columbus, Ohio's very own Studio 35 will be one of two hosts (the other locale will be in Austin, Texas) to kick off of the 4th Annual Animation Show Tour. The Animation Show, a "showcase for the world's greatest independent animated short films" was started as an annual feature-length theatrical compilation of short films from around the world, exclusively curated by Mike Judge (Office Space, "Beavis and Butt-Head," "King of the Hill") and Academy Award nominated animator Don Hertzfeldt (Billy's Balloon, Rejected, The Meaning of Life). Launched in 2003, it is the first festival of animation created and produced with actual animators at the helm. A sister series of high quality Animation Show DVDs now supplement the theatrical tour with additional insights and brand new lineups of films - while the main Show remains a unique and unforgettable annual program that is usually gone forever once it is out of theaters. Every year the Show works diligently to put animated shorts into more theaters than any festival in American history: giving these filmmakers the wide exposure their work deserves and sharing their short masterpieces on the big screen, where they belong.

Saturday, March 8, 2008

A BONE Film In The Works?


The Hollywood Reporter announced that Warner Bros. has picked up rights to "Bone," the acclaimed independent comic book series from artist Jeff Smith. The series ran irregularly from 1991-2004 through Smith's publishing company Cartoon Books as a black & white comic. Scholastic has been publishing the collected stories in full color graphic novel format since 2005, selling more than 1 million copies so far.

Smith, who will executive produce, was influenced by classic cartoonists Walt Kelly, Charles Schultz and Will Eisner on the series, which won several comic industry awards. Smith went on to become a noted artist whose work will be exhibited in the spring at the Wexner Center for the Arts in Ohio.

A decision on what kind of format "Bone" should take -- live-action or animated or both -- will be based on filmmaker meetings.

An animated version was in development at Nickelodeon Films back in the `90s but fell through, partly because Smith was displeased that the studio was aiming it for kids and wanted the film to include pop songs.

Friday, February 15, 2008

Local Coverage for an International Story (Reviewing the reviews)


After reading some snarky music reviews in one of my local weekly papers today, I flipped over to the film review section and read this headline: "Coming-of-age tale trumps French rats." OMG! After nearly two months, Persepolis is finally playing in Columbus! (What does Marjane Satrapi's graphic novel-turned-animated feature have to do with "French rats?" If you actually want an answer to that question, you'll have to hunt down your own copy of The Other Paper, because they don't post much online.)

Over in the Columbus Dispatch, film critic Frank Gabrenya starts out his review with a variation on the "Comics Aren't Just For Kids" shtick and goes on to basically just retell the story. A favorite quote: "Because Satrapi and her collaborator, Vincent Paronnaud, live in France, the voices all speak French, even in Iran and Austria." Yeah, now I wonder-- if the movie were made in England (where they speak English)... what language their voices would speak? (Oops! Some of the snarkiness from the first paragraph spilled over into the second one. My bad.)

And finally, Melissa Starker of the Columbus Alive actually had a brief interview with the author/artist as well as posting a short review of the film. So that was nice.

There are literally hundreds of other reviews & interviews and what-have-you about this wonderful film (well, I assume it's wonderful...) from all around the world. So, I won't blather on any longer about it here; I'll just go, buy my ticket and see it for myself while it's here in town.

Tuesday, October 16, 2007

Preparations for Christmas comes so early these days...

Ho-Ho-Ho and Hip-hip Hooray for Movies & Comics!

The 2007 holiday movie season will wrap up with two very different comic book-based projects that are scheduled to debut on Christmas: the prize-winning animated feature based on Marjane Satrapi's
Persepolis, and the action-packed Alien vs. Predator: Requiem, which is the second big screen team-up of two movie monsters that first faced off in the pages of Dark Horse comics.


Ms. Satrapi's autobiographical Persepolis graphic novels were surprisingly strong sellers in the North American bookstore market (see "Persepolis the Stealth Hit"), and the animated Persepolis film, which won the Jury Prize (shared) at the Cannes Film Festival (see "Persepolis Wins Cannes Jury Prize"), could introduce the Persepolis graphic novels to a much wider audience.


The other comic-based Christmas Day feature film debut, Alien vs. Predator: Requiem, should also increase traffic in comic shops because Dark Horse will have published two Alien vs. Predator Omnibus Editions by then, which contain over 400 pages of full color comics (for just $24.95!).


So stock up on these graphic novels gifts for your loved ones!


Original post found at ICV2.com

Friday, October 5, 2007

Collins' Alley Oop Doc


Caveman: V. T. Hamlin & Alley Oop
(Max Allan Collins, 2005)

Wed, Oct 10, 2007 | 7:00PM
Wexner Center for the Arts: Film/Video Theater

Directed by Road to Perdition writer Max Allan Collins, Caveman examines the career of V. T. Hamlin and the creation of his long-running comic strip Alley Oop.

First appearing in 1932, the strip follows the prehistoric character Alley Oop, his pet dinosaur Dinny, and the citizens of the kingdom of Moo. Featuring interviews with Will Eisner and longtime Hamlin assistant Dave Graue, the film provides a wonderful depiction of the process of producing comic strips in the 20th century. Along with the graphic novel Road to Perdition, Collins has written numerous novels and comic strips, including a 15-year run on Dick Tracy. (53 mins., video)

Cosponsored by Ohio State’s Cartoon Research Library in conjunction with Storytelling 2007 and the 2007 Festival of Cartoon Art being held October 26–27 in Columbus. Please visit http://cartoons.osu.edu for more information.

$5 members
$7 general public
$5 students
$5 senior citizens

- Buy tickets online